News, events and articles about Sahaja Yoga meditation worldwide

Quotations

Shri Mataji

The reason for dreams is that when you are sleeping your attention moves either to the supra-conscious side or to the subconscious side. Your attention starts moving  and then you start seeing things which are connected with your subconscious or your collective subconscious…. You may go into your supra-conscious side where you see your future and all these things.

Bu the reason why you get your dreams actually is that the unconscious pushes within you, or we can say the Kundalini or your Atma is trying to guide you to the right path. And how does it guide you to the right path, is through dreams.

But these are misunderstood. How are you guided by these dreams? Understand these dreams, because you are so confused.

First you go deep into yourself and you touch the unconscious, sushupti. But from there, you come out. And then when you are coming out, you touch your subconscious or maybe the supra-conscious. So whatever anabhuti [feeling] you had or whatever experience you had of the depth of the sushupti gets confused. And you don’t know what you dreamt and you don’t understand and you forget it.

But those who are realised souls, go to their sushupti and see exactly what they have to know. Like many people in Bombay when I came, they didn’t know I was coming, but they were at the airport because they got the dream.

So at the sushupti level, at the deep level, you get the communication with God if you know how to go in and come out fully aware. But if you get confused with supra-conscious or subconscious areas … your chitta [attention] is not so clearcut. Then there can be a big confusion.

Shri Mataji, 1983   

Wassily Kandinsky, born-realised artist“The work of art is born of the artist in a mysterious and secret way. From him it gains life and being. Nor is its existence casual or inconsequent, but it has a definite and purposeful strength, alike in its material and spiritual life. It exists and has power to create spiritual atmosphere; and from this inner standpoint one judges whether it is a good work of art or a bad one”.

“That is beautiful which is produced by the inner need which springs from the soul. ”

“All those variety of picture, when they are really art, fulfill their purpose and feed the spirit.”

“Painting is an art, and art is not vague production, transitory and isolated, but a power which must be directed to the improvement and refinement of the human soul.”

“It is very important for the artist to guage his position aright, to realise that he has a duty to his art and to himself, that he is not king of the castle but rather a servant of a nobler purpose. He must search deeply into his own soul, develop and tend it, so that his art has something to clothe, and does not remain a glove without a hand”.

From Concerning the Spiritual in Art by Wassily Kandinsky, first printed in 1914

As the rivers flow into the ocean… and He created life, and from life faith and space and air, light, water and earth, the senses and the mind. He created food and from food strength, austerity, sacred poems, holy actions and even the worlds. And in the worlds, name was created.

As when rivers flowing towards the ocean find there final peace, their name and form disappear, and people speak only of the ocean; even so sixteen forms of the seer all flow towards the Spirit and find there final peace, their name and form disappear and people speak only of Spirit.

Pippalada to his disciple, Sukesa Bharadvaja
From Prasna Upanishad

(Photograph courtesy of geekphilosopher.com)

Shri Mataji

So we come to the subtler side. And the subtler side of Sahaja Yoga is extremely simple. Is Compassion. Is Forgiveness. Is Love.

 But the greatest of all is the Service to God.

We are doing the work of God. How can we be tired?

The dynamic is flowing through us. That Compassion is so fulfilling, that love is so beautifying, that how can we not do it?

 We should run to do it.

 But have to know that this love has a tremendous urge within itself.

Shri Mataji, 1984

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