2006/10
My dread of death and birth came to an end
When the Lord in his glorious hue
Revealed himself to me.
His light shone within me
And darkness disappeared.
When I contemplated within I obtained
The rare gem of the Lord’s Name;
In the wake of my bliss
All miseries fled away.
The jewel of my mind became absorbed
In the Lord’s love within;
Whatever now happens, O Lord.
I accept as Thy will.
One who lives in Thy will
Merges in Sahaj.
Says Kabir: My sins have become ineffective,
And my soul is suffused by the One
Who is the life of the entire creation.
Kabir
In this poem Kabir describes the devotee’s state of bliss on attaining God-realisation. His rounds of transmigration finally come to an end, the dark shadows of doubt and delusion melt away and he is free from all miseries. His mind, initially an obstacle on the spiritual path, becomes an ally when it starts relishing the spiritual joy within. Purified, it becomes still; from tinsel it emerges as a jewel. Realising the supreme authority of the Lord, the devotee accepts all that comes in his life as the Lord’s will, and thereby merges into the state of Sahaj.
Recently there was a gathering in London of members of the international Sahaja Yoga theatre company, known as the Theatre of Eternal Values (TEV). As next year is the 250th anniversary of the birth of William Blake, TEV’s next production will be a show based on his life and work.
On Friday a group from TEV went to the Clore Gallery, part of Tate Britain, where they were allowed to view, up close, around 30 original Blake drawings, paintings and engravings not currently shown to the general public. These included several of the Illustrations to Dante’s Divine Comedy, as well as versions of The Simoniac Pope, A Vision of the Last Judgement, Whirlwind of Lovers, The River of Life, The Four and Twenty Elders and many others.
The pictures were placed, unprotected, on stands where viewers could sit and get as close as they liked. The vibrations were astonishing, and to see these works in their original form, rather than reprinted in a book, was like being in Blake’s own presence. The drawings seemed so fresh and alive, that one could examine every intimate detail, imagining that his hands had made those impressions just moments before. The apparent ease of his complex artistry fills the heart with awe, and one goes immediately into meditation.
The group then went to the public areas where just a few more of Blake’s paintings were displayed, including Elohim Creating Adam, Newton and Nebuchadnezzar.
Before we went into the gallery, although there was no rain, several of us witnessed a tiny rainbow directly overhead, lining the clouds that were being illuminated by the afternoon sun. It is extremely unusual to see such a rainbow directly above. In one of Blake’s paintings, The Four and Twenty Elders, the exact same image of a tiny rainbow appears at the top of the painting.
The following day the group enjoyed a guided tour of many of the William Blake sites in Central London, seeing where he had lived and worked, where he had taken his birth and where he died. We felt a shower of vibrations throughout the day as we walked in Blake’s footsteps.
The afternoon concluded with a visit to Bunhill Fields Cemetery in City Road, where a headstone in the middle of a paved pathway reads, “NEARBY LIE THE REMAINS OF THE POET * PAINTER WILLIAM BLAKE”. This is the only memorial to him.
There we were met by Carol Garrido who was able to take us to the unmarked spot beneath a tree where Blake is actually buried. Despite efforts by scholars and others over the years, the exact site had never been discovered until Carol and her husband, Luis, set out to find it a couple of years ago.
Carol unfolded for the group the wonderful story. Carol and Luis discovered the spot purely through vibrations. “We were suddenly aware of a fragrance, as from flowers, but there was no source nearby that could explain it,” explained Carol. Afterwards they were able to prove the location of Blake’s grave historically through many months of painstaking research and detective work. The proof, which has been accepted officially by the Blake Society as well as by the Corporation of the City of London, confirmed exactly the spot where the vibrations had led them.
The aim is that by 28 November 2007, the 250th anniversary of William Blake’s birth, the grave itself should be marked with a proper memorial.
On 14 October 2006 the opening premiere of the movie about the life and work of Shri Mataji, “Freedom and Liberation”, took place in the ARRI movie theatre in Munich. Munich is an important film production point in Germany, and hosts more companies producing technical film equipment than Hollywood.
Carolin Dassel, the writer and director of the movie, has worked relentlessly for the last two years to realize this incredible piece of work, based on the idea of Philip Zeiss. Carolin started the first shooting in September 2003 in Cabella with her film crew. This included a two-hour interview with Shri Mataji and her husband, Sir CP Srivastava, in the Palazzo Doria Castle. It was literally the last public interview that Shri Mataji gave. Then Carolin and her team shot for several weeks in India in Ganapatipule, Pune, Delhi, the Sahaja Yoga health centre in Vashi, and many more places. Interviews with Shri Mataji’s daughters, Kalpana and Sadana, give us a very personal glimpse of the family life of Shri Mataji.
The film was produced on state-of-the-art professional standard (Super 16mm) film to ensure maximum quality, with some inserts shot in Super8 black and white. The film also includes some original footage of Shri Mataji’s talks on video.
Together with Sepp Reidinger, head of several technical departments at ARRI Munich, the production company, DEVI-Film, was set up at the beginning of production. Funding for the film came from the Film and TV Fund of Bavaria, the public TV program, Bayerischer Rundfunk, and the Munich Film Academy where Carolin graduated with this film.
With the support of Sepp Reidinger, the film premiere was held in the prestigious ARRI cinema in the heart of Munich. An audience of about three hundred people waited eagerly for the movie to start. The audience greatly enjoyed the film, and some were deeply touched.
After the screening Thomas Menge, who hosted the event, introduced Carolin who called the crew and some of the interviewed people on stage. After that, Thomas led a small program for the remaining audience of about one hundred people who had the chance to get their self-realisation. Many of them actually felt the cool breeze.
The official TV screening was held on 22 October 2006 on Bayerischer Rundfunk, the third program of Public German Television.
More information is available on the official website (for the time being in German), www.nirmaladevi-film.de.
We all pray for a miracle in one way or another. All religions have a faith in God and all have prayers and rituals that are practised in the hope of a miracle. Often it seems that God doesn’t hear our requests. His followers are sometimes bewildered, but then remind themselves that God has a greater plan, or perhaps they were not worthy of His help. They pray even harder. Sometimes their prayers are answered.
Even if we have no religious belief, we still hope for a miracle.
New age practitioners charge us money to show us ways to reach our goals and substitute the word “miracle” with “manifestations”. We are told that we can create our own realities and that we can manifest our own reality. More often than not, the only thing that manifests is a huge bank account for the new age practitioners involved and yet more disillusionment for their followers.
The fact is that miracles occur every day once we have a true connection with that higher power that some call God and others refer to as a higher power, cosmic consciousness or universal love. Yet when we hear of these stories, we become cynical and filled with doubt. Rational explanations are sought and if none is available, then often, the stories are brushed away as a work of fiction.
The following account of a miracle is the absolute truth. I can assure you that my brain would be totally incapable of creating such a story. If I wanted to create a work of fiction, I would have picked a different topic, such as how I found a million dollars, rather than one about petrol and insurance companies!
What I am trying to say is that this Divine energy that is awakened when we get our self-realisation is far more creative than our human brains could ever be. We can all experience miracles.
In my early days in Sahaja Yoga and after shoe-beating my lack of permanent employment, I found myself living in Muswellbrook, a small isolated country town in NSW.
I wanted to travel from Muswellbrook to Newcastle, on to Redhead, back to Newcastle and then on to Sydney for the Sahaja Yoga program at Burwood. This was roughly a 360 km trip, but I only had ten dollars worth of petrol. I was a little worried, but I surrendered the problem to the Divine.
After reaching Newcastle with almost an empty tank, I stayed with friends. In the morning I went out to the car to get something. I quickly forgot what it was because, to my amazement, I saw a puddle of petrol in the gutter beside my car. On closer inspection, it seemed that petrol was leaking out of the tank. Devastated at the possibility of losing the precious little petrol had left I rang the NRMA.
The roadside attendant was quick to arrive. To my amazement, when he removed the petrol cap, petrol began to spurt up like a fountain. It honestly spurted up about ten centimetres from the tank opening.
The attendant asked me to move the car to the flat where he could accurately measure the pressure in the tank because he thought that this phenomenon was caused by an air lock in the tank. He tested his theories using every tool possible. Finally, he stood up, looked at me and told me that I simply had far too much petrol in my tank.
I explained that this was not possible because I had only been able to fill my car in Muswellbrook and that was with my last ten dollars, and then I had come here, gone to Redhead and then returned. He looked at me with frustration and a little irritation, saying, “You mean that you filled up down the road here when you returned? The tank is simply way overfilled,” as the miraculous fountain of petrol continued to bubble gently. I repeated what I had done. Finally, he looked at me in utter disbelief and said, ” Well, love, I don’t know what you used to get here. It must have been thin air because I’m telling you, the only thing wrong with your car is that it has too much petrol.”
He had to siphon off some of the petrol to stop the fountain. Needless to say, all needs were met those holidays.
LB